Review: On the Road by Jack Kerouac

[Cross-posted to my blog: paquetdevie.blogspot.com]

My feelings for Jack Kerouac's On the Road can be summed up in a saying by the ever-truthful Ms. Paris Geller



I don't understand the obsession with Mr. Kerouac's "masterpiece". While I found some of the passages here hauntingly marvelous, scarfing down two-hundred pages of Sal and Dean's endless trips across America and back in less than a day, over time I see Sal and Dean for the men they truly are: hypocrites, trying to get down with the common American man, but at the same time deriding them in their own incoherent, racist, misogynist, pretentious drug-filled haze of a "novel". The book becomes a behemoth to me, even though it's only three hundred pages long, because I don't feel any sympathies for the characters after I realized that these two are bums, worse than bums really, because at least bums are willing to work for money and they generally are a-okay with calling themselves bums. All these two do is mooch off from their aunt, wives, relatives, and friends and still have the gall to present themselves as independent American men and make fun of, in their own patronizing way, poor people who don't know any better.

I vent my frustration about this book to a friend who likes it. She admitted that the book is hard to read, probably because Mr. Kerouac wrote it while he was high on cocaine, and yes, Sal and Dean are misogynist pricks, but she encouraged me to finish it because in the end it's a good story. I'll admit that on the surface On the Road tell a good story. I can see why some people like it because I do sympathize with Sal and Dean's plight, I do, really: losing yourself on the road, having an adventure of self-discovery, generally giving society a big middle finger, I'm all for that. But the way it's written in this book is so caked with middle-class white male entitlement that I basically rolled my eyes every time I turn over a new page. Their plight and experience has become childish to me. How can I muster any sympathy for a middle-class white heterosexual male who wants to be as free as a Black man in the antebellum South? To me, they are nothing but man-children instead of the heroes they think themselves as.

Not to mention, the way women is written in this book is vile. We exist, apparently, only as the motherly aunt who supports her good-for-nothing nephew through everything, or the gullible hot girlfriend who swooned and giggled at Sal and Dean's "charming" ministrations and declarations of love only to be abandoned when they decided to hit the road again very impulsively. The way Sal and Dean goes about "gurls, gurls, gurls", how they commented about the breasts of every women they encountered, and how "fresh" sixteen-year-old girls are (even though they are grown men probably in their early thirties) is honestly sickening and it's one of the reasons that it took me nearly six months to finish the book. Sal and Dean doesn't treat women like human beings; they treat them as trophies and treasures that's an extension of themselves. And don't even get me started with how they treat POC (see: the entirety of their Mexican trip).

I can see this book's appeal, why it resonates to so many people, but in the end, its pretentiousness, misogyny, racism, and general entitlement, sours me. That, and the fact that I have to incur a massive library fine for returning the book nearly six months after the due date.

Review: Mythology by Edith Hamilton

I love this book. I have always been interested in mythology, but the way some reference book told them is very dry. These stories live through riveting poems and plays throughout centuries; it is by its very nature theatrical. The Greeks and Romans use the stories of the gods to terrify and inspire all kinds of emotions in their subjects.

So I am very pleased with Ms. Hamilton's Mythology. Ms. Hamilton, while still maintaining a respectable distance with her subject-matter, also inserts her own opinions and views in the stories. She is clearly passionate about her work, knows the stories very well, and cares for the characters. She laments the fates of innocents who were needlessly and absurdly brutalized by the gods. She sympathizes with Medea, the wife who was cast off by Jason, but acknowledges that she was cruel in her actions. Though I like Roman mythology, I LIVE for her distaste for Roman writers (she can throw amazing shade). You can clearly see her opinions and sympathies, but she does so subtly, weaving it in her beautiful prose, so that it does not feel patronizing or preaching.

Though the book focuses too much on Greek/Roman mythology and little on the other world mythologies, I still think this is a must-read for any mythology buff.


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Book information:
Title: Mythology
Author: Hamilton, Edith.
Edition: New York: Little, Brown and Company. First Bay Back paperback edition (reissued). 2013. (Paperback)
ISBN: 978-0-316-22333-1

Review: Dear Life by Alice Munro

I didn't expect to find Alice Munro in my local imported bookshop. It's a small shop and the fiction shelves are mostly stocked with the latest bestsellers and YA novels (on my last trip there there was a copy of the novelization of After, that horrid One Direction fanfiction). However good Mrs. Munro is, she isn't a best-selling author, per se. So I was a bit surprised to find a book of hers, her latest, in one of the shelf in mass market paperback format. I've always wanted to read Mrs. Munro after her Nobel Prize announcement but really hadn't had the chance, so I took it as a sign and bought it.

It turns out to be a good investment, indeed. There's a reason Mrs. Munro has a Nobel Prize now. Her stories are captivating, in a quiet, unassuming way. They don't dazzle or shock; the twists and turns are revealed slowly like a blooming flower. You are left questioning the characters' motives, the story keeps us in the dark of them, yet you don't finish the story unsatisfied. The stories are realistic, in a way that it mimics real life and its quiet absurdity. You don't know the characters' motives and reasons, because there's no need. Sometimes, life has no need for reason or motive. Sometimes, you do things just because you can.

Mrs. Munro is also a shining example of how you don't need purple prose and long run-on sentences to make good literature. Her sentences are short, cut marvelously and to great effect. Her words are simple and staid and elegant and flowed so beautifully. Her characters might seem passionless, but also not. There's passion and vivacity in them, clearly, but muted, not at all noticeable.

I wish I can write a longer review, but it's nearing 12 a.m. and I'm going to New York City for the first time in four days. My mind can't think of anything except my laundry, what to buy, oh my god is there going to be a blizzard when I'm there, how do you wade through 3 feet of snow, etc. So my apologies, this is all I can do for now.

Until next time.

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Book information:
Title: Dear Life
Author: Munro, Alice.
Edition: New York: Vintage Books. First Vintage International Open-Market Edition. 2013. (Paperback)
ISBN: 978-0-8041-6891-5

Review: I Am Malala by Malala Yousafzai

In a world where we see news of teenage celebrities (I'm looking at you Kylie Jenner) abandoning their studies in lieu of pursuing fame, Malala's story reminds us how education, an ubiquitous part of most countries, is something that people in several countries have to fight for. I am by no means shaming Kylie for something she's chosen to do - that is if she is indeed the one who is choosing to quit school in order to focus more on her image - but you have to admit that her and Malala's story provide quite a striking image. Here, you have Kylie Jenner, a privileged American teen who essentially refuses the opportunity given to her, and on the other you have Malala Yousafzai, a Pakistani teen who got shot for trying to pursue the opportunity Kylie has squandered in the first place.

Malala's story resonates deeply with me. My family places a hard emphasis on education, so I can see and appreciate Malala's thirst for knowledge. My family too is Muslim, so I can also understand Malala's frustration with how several people wrongly interprets and twists Islam into something that is horrible, monstrous, and virtually unrecognizable. However, my society is very welcoming to woman getting education, and even the most hard-line and conservative Islamists in my country still send their daughters to school, albeit maybe in a different school than most mainstream Muslims. So I could only watch in part-horror and part-sympathy as Malala tells how she needs to hide her books, on how she needs to go to her school clandestinely, on how watching families live in horror as Taliban takes control of the area. She tells her story bluntly, according to her opinions and her experiences. When the military enters her beloved Swat in order to "flush out" the Taliban extremists, she doesn't fawn over them - rather, she shows that military or Taliban doesn't really matter to ordinary people in the Swat because all they really want is peace in their beloved valley. She also doesn't fawn or flounder over foreigners and foreign intervention in Pakistan, despite her current situation living in Brimingham, criticizing both the Americans and the British for their hypocrisy and part in making Pakistan the way it is now. She stays true to herself, living the embodiment of the saying "be the change you want to yourself".

I read the book while on a train trip to my hometown, and I had to keep my tears in check. Reading her story makes me realize how privileged I am. I never think about it that much, being a middle-class Indonesian Muslim girl, but reading Malala's book makes me realize how I take my education for granted. I go to university because that is what is expected from me. I go to school because that is what is expected from me. That is my life. It has never been questioned or challenged. Never does the question "What if I don't go to school?" or "What if my education is cut off?" come up in my conversation with my family, because my dad makes it clear for me, come hell or high water, he <i>will</i> make sure I go to school even if that means he has to ask for help from his extended family or go on a fast for a year. And my aunts and uncles and grandparents too make sure that I know they will not tolerate me missing even just a year from school and that they will do whatever they can in their power to keep me in school until at least I get my bachelor's degree.

I thought this was the case for every girls in the world, and that the reasons that some of them couldn't go to school was because they lack the necessary money. It never occured to me that there were other reasons, that some people thought girls shouldn't go to school and threatened those who do. This book made me realize that my circumstances are special, that what I have is an immense privilege, something these girls would give up their lives for.

Malala said, in her Daily Show interview, that it is a part of our human nature that we don't learn the importance of anything until it's snatched from our hands. This book made me realize that; how education, something that I took as granted and basic human need, is a very important thing in some parts of the world. I grumbled and complained about the university coursework that I had to do, but Malala and her friends would risk their lives in order to even have a little chance of going to college. This book made me realize my gifts, and I think it should be given to any teen celebrities - hell, let's just make that anyone that has thought about cutting their education short just for the fun of it.

Final Rating:


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Book information:
Title: I Am Malala
Author: Malala Yousafzai and Caroline Lamb
Edition:
ISBN:

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(Cross-posted to my Goodreads account: https://www.goodreads.com/review/show/1160677959)

A Little Night Music (28/11)

For this music post, I'm going to tell you about my obsession about Taylor Swift's latest album "1989". Up until recently, I don't really like Taylor Swift. I don't like country music and her whole schtick of obsessing over boys and putting other girls down gets old real quick. But, she grows up and her music grows up, too. I really like some songs off Red ("State of Grace" is probably one of my most favorite songs from her) and I excitedly anticipate the release of 1989. And boy, it does not disappoint.

1989 is Taylor's first pure pop album, there's no twangy country-feeling songs in this. As mentioned before, I don't really like country, so of course this is a welcome relief. 1989 is heavily-produced and differs so much in terms of sound than Tay's previous album, but it's still has that quintessentially her quality in the lyrics. I have a love-hate relationship with Taylor's lyrical skills; on one hand I find some of her lyrics to be pretty vapid and silly and just straight-up awkward but on the other hand that's what makes her her, ya know what I mean? I love the allusions to Greek mythology and the sentence 'love is a ruthless game unless you play it good and right' in "State of Grace" because it's such a Taylor Swift thing to say but hate the mixed-up metaphors and literary allusions in "Love Story" even though it's what she'd do.

I find some of the songs unlistenable (deleted "Welcome to New York" and "Bad Blood" on the first listen and never looked back tbh) but the rest of them makes up for it. Hell, the existence of "Blank Space" alone is enough to make this the best Taylor Swift's album for me. While there are a lot of repetitions (see: "Out of the Woods") but it's played up to great effect. I'm not a Taylor Swift fan, but after listening to this album, I'm a convert.

Okay, I'm going to attempt to do a track-by-track review of the album (sans "Welcome to New York" and "Bad Blood").


  • "Blank Space" is the second track of the album and my most favorite song off the album. It is also one of my most favorite Taylor Swift song, tied with "State of Grace". It has a heavy beat that's reminiscent of the chorus to Lana Del Rey's "Florida Kilos" (it makes sense in my head). The lyrics are tongue-in-cheek, referring to Taylor's many boyfriends and the media attention paid to them, and so, so good. Seriously. It has so many quotable lines. Taylor in this song evokes a kind of carefree attitude towards love, in contrast to her more serious songs about love and heartbreak. It cheerily acknowledges the fact that she'll probably be heartbroken ("it'll leave you breathless, or leave a nasty scar"), and that her exes call her crazy for writing songs about then ("got a long list of ex-lovers, they'll tell you I'm insane") but that's okay, 'cos love's a game and she loves the players. Most of my friends who listened to this album said that "Blank Space" is their favorite and I couldn't agree more.
  • "Style" is the third track in the album. It is ostensibly about Harry Styles; no doubt about it. When I first heard about it, I looked up the lyrics and thought, "well these all seem very awkward how is this any good?" But then I listened and it defied my expectations. It has a sort of vintage 1980s feeling to it, and it indeed is inspired by 1980s pop. The music was peppy and upbeat, but it has also that tinge of sadness to it, which fits the lyrics of going crashing down and coming back every time, because they never go out style. I love the mention of "James Dean daydream look" because it's so specific yet so general, like, I can even picture it right now. Plus, I really like the way she said "tight little skirt".
  • "Out of the Woods" is the fourth track in the album. When I first heard it, I heard it along with my friend. She didn't like it and I laughed, but I liked it. It was repetitive, yes, the whole album has many repetitions, but it was also fun and the repetitiveness adds to the general atmosphere of the song. I also like the sound and the lyrics even though I find some of them to be funny in the wrong way ("the monster was just trees") and plain ol' mind screw ("your neck is hanging from my neck"). Still, it's catchy and had some parts that I really liked.
  • "All You Had To Do Was Stay" is the fifth track in the album. It has a really fast and fun chorus, with a high-pitched yelp of 'stay' in the beginning, which can be rather jarring and annoying, and at first I didn't like it for that reason lol. But it grow on me like many other Taylor Swift's song (girl had a talent for making grower songs) and now it's repeated many times in my iTunes library.
  • "Shake It Off" is the sixth track in the album. It is also the "lead single", which is what Taylor decided to use to promote her album. As a lead single, it had plenty of exposure. When I first heard about it, I was ambivalent. The title is too similar to Florence and the Machine's "Shake It Out" and I love her and that song. I love Taylor, too, but for different reasons. They were too different with each other and I was afraid that I couldn't reconcile them in my head. But my curiosity got the best of me and I watched the video. Bad mistake. The video's pretty good - love the part where she does the ballet - but the twerking part's too embarrassing. And the song's pretty embarrassing too, especially the part of "my ex-man". I was so disappointed. It was so different, so unlike "22", which was one of Taylor's 'party anthem' and a song that I liked. So I abandoned it after a listen and went on without listening to it for some time (which is uncharacteristic for a Taylor Swift song since Red). But after hearing about the buzz surrounding it, I decided to give it a second chance - and I got hooked. Reader, it grows on me. I spent a whole week listening to nothing but that fucking song in the morning as a pick-me-up, which's gonna jack up the iTunes play, I'm sure. Though, I must admit, the song sounds out of place with other songs in 1989 it still is a good listen. And if you don't like it in the first listen, try, try again.
  • "I Wish You Would" is the seventh track in the album. I...really have no opinion about this song. It's not good, but it's not bad either. Like, it's a decent listen, but it's just so...bland and boring. It's not as bad as "Welcome to New York" 'cos I still have it in my iTunes library, but it's just forgettable. To me, it's just an obstacle to one of my favorite and best songs in the album.
  • "Wildest Dreams" is the ninth track in the album. It's also a very Lana del Rey-ish track; the chorus eerily reminds me of LDR's "Without You". The lyrics are also very Lana-ish, with mentions of bad boys and red lipstick (but no "red dress" or "Queen of Saigon" which is quintessential Lana terms). And the lyrics too are a bit more explicit than Taylor's usual fare, with sex implied, but still very much PG-13.
  •  "How You Get the Girl" is the tenth track in the album. Much like "I Wish You Would" this is a very average song for me. It's easy-listening, but I won't, like, play it on repeat or something. My friend loves it tho; it's his favorite song in the album. So there's that.
  • "This Love" is the eleventh track in the album. It's mellow, soft, and reminds me of fluffy cotton candies. Taylor incorporates a good deal of indie-pop sound in 1989 and this song's a very simple sound, with "less" of a production feel than, say, "Out of the Woods" or "Blank Space". I like it.
  • "I Know Places" is the twelfth track in the album. This song, my friend says, is very gothic but with a Taylor Swift flair, you know? It's not like "I Know You Were Trouble" but it has the same fast-and-slow tempo. I really like this song. It has great lyrics too.
  • "Clean" is the thirteenth track in the album. I really want to like this song. This song's co-written by Imogen Heap, and I like Imogen, so I really really want to like this song. But I can't. Like, it's not as bad as "Bad Blood" or "Welcome to New York" but it's so boring. Nothing in the lyric is memorable, I don't even remember what it is about.
  • "Wonderland" is one of three bonus tracks. Aaaaand, let me tell you how much I love the bonus tracks. The bonus tracks could and should be one of the main songs. "Wonderland" is so beautiful, it's one of my favorite song in the album. I really like the sound and the lyrics are so good and for once, Taylor's literary allusions and references are right! Yay! Four for you, Taylor!
  • "You Are In Love" is one of the three bonus tracks. Lena Dunham says this song is hers and Jack Antonoff's wedding song and as much as I dislike agreeing with Lena Dunham, this time she's right. It is a song that's perfect for a wedding, the sound is soft and the lyrics are beautiful and smooth. This song somehow reminds me of a peach pink tulle dress. I don't know why I have that image. It is just so soft.
  • "New Romantics" is one of the three bonus tracks. It is also one of my favorite songs in the album (I have a lot of favorite songs in this album apparently). It's a cheery party anthem, but it's not the kind of party anthem that's played in the club. It's the kind of party anthem that you play when your friends are having a picnic in the meadows and you decide to have a little dancing party with flowy, dresses. It's the kind of party I imagine ballerinas throw after they held a Spring performance of Giselle in a park, where everybody is happy and wearing beautiful tutus and flower crowns. ("The best people in life are free")
So that's my thoughts about Taylor Swift's new album 1989! What do you think of the album? Tell me in the comments below! And if you haven't listened to it, buy it on iTunes or Amazon or your nearest record shop, and listen to it. Now. It'll be good for your life (and ears).






Late, Late, Late Post

Hey, everyone. Sorry that I've been MIA for almost three months now - my last post in this blog is in June the 25th and now it's already mid-September.

Yeah. It's funny how time flies, isn't it?

I don't have any excuse or explanation other than that I've been sidetracked by life, basically. As some of you might know, I'm a law student now (hehehehe) and am fortunate enough to be able to study in one of the best universities in my country. It's been a hectic three months, with Lebaran and my own laziness preventing me to update my blog in July. August was a complete mess with the ensuing preparation for orientation week, the grueling orientation week itself, and all the anxiety and agitation new students have when they enter university for the very first time. September was a blur, since it was the first weeks of class and I've to familiarize myself with new surroundings, new friends, new ways of learning, new teachers.

But other than that, university is exciting! I get to move to a sprawling big city with lots of culture and meeting with lots of new people and doing exciting things that weren't available in my tiny town. You might think studying law is tedious and boring, and while there are some classes where I almost fell asleep in class, it's more because of the lecturer rather than the material. Studying law requires critical thinking and advanced problem-solving skills alongside a broad knowledge and it's fun to discuss legal scenarios with friends and trying to solve all the legal problems that arise with it. Being an international lawyer/diplomat is also my life-long dream and that's an incentive for me to study hard.

Exploring a metropolitan is also very exciting. Yogyakarta has everything I want in a city: a close-knit sense of community, friendly people, a vibrant cultural scene, lots of libraries and bookshops, and a diverse range of food. I get to learn French and eat chocolate macarons with Twinings' tea in the afternoon and eat roadside ayam geprek at night. I love it.

Of course, since I'm now living alone completely independent of my parents and relatives, I have to be careful. I have to be careful when I'm going out and I have to be careful not to blow my monthly allowance money on useless things. Sometimes I get stuck in traffic in Jogja and I found myself missing my little town where there's no traffic at all except for exceptional circumstances. Sometimes as I eat my dinner alone, I found myself missing my aunt's cooking and nasi pecel. Sometimes when I'm tired after a day in class, I found myself missing my mother and the high-speed wifi we have in our home.

But over the time I'm learning to manage living on my own. It's both a exhausting and a scary experience, but it's also fun and exhilarating, don't you think? Eventually we all have to learn to be adults, even though most of us can't quite get the hang of it, we'll try anyway.

Read Like a Viking: June Book Haul (25/6)

Hey, everyone! I apologize for being MIA for a couple of months. My laptop's acting out and I'm busy with university stuff so I can't get to update the blog as much as I wanted to. Sorry!

However, June has been an eventful month for me in terms of book shopping. This month alone, I bought eight books, and I'm so busy I haven't even finished even one of them. Oops.

The books I bought this month are:

  • The Cuckoo's Calling by J.K. Rowling
  • The Silkworm by Robert Galbraith
  • A Hundred Summers by Beatriz Williams
  • Crazy Rich Asians by Kevin Kwan
  • Therese Raquin by Emile Zola
  • A Tree Grows in Brooklyn by Betty Smith
  • Chicken Soup for the Girlfriend's Soul by various authors
  • Matilda by Roald Dahl (my old copy was lost when I moved so I bought a new one)
I'm slogging through the Cuckoo's Calling, so I've taken up A Hundred Summers in the mean time. I'm a quarter in (which is more than I can say for the Cuckoo's) and it's a very light read even though it's 400 pages long, so expect a review soon.